Emergent Poetry | Sonora Sibilants • Yellow Springs News

Poets love shapes. He even a freewheeling person like me gives up a strictly defined number of syllables, number of rows (sonnet, villanelle, etc.), and rhyme scheme for each row (meter). Still, I’m trying to properly structure the poem, divide the stanza according to some obvious principles, and make sure that the lines are separate units, as well as random words in a sequence like prose. ..

Then there are poets, like the longtime villager Rubin Batino, who embrace the shape so comfortably that it’s really a pleasure to see them work magic. The “poems” below actually consist of six or three lines of poetry, but they are so cleverly arranged that, in my opinion, the whole is much more than the sum of those parts. It will grow. Each of the three lines of “stanza” is like a haiku, but it doesn’t fit exactly.

“My goal is to capture an image, idea, or emotion in three lines,” he wrote in an email attached to his work. I think he is doing this very well. Look and see what you think:

Black shadow of leaves
Hungry for snow
Tonight’s full moon

Ground fog emission
And the morning moon
A bird sings

Tensioned and nervous
Lightning at night

In the pine forest
Silent ordered shadow
Quiet sunshine

Half moon greets the sun
The meadow awakens

Waterfall silence
Gently shift sibilants
Lonely leaves float

According to Rubin, the first poem is “an unusual form in which three lines can be read in any order.”

Very cool. If you count the syllables, you will find that the 5-7-5 required for traditional haiku is not all. In fact, only the second and fifth stanzas perfectly match the ancient Japanese form. That’s fine for me. It’s fun to see Rubin playing a little in a way that suits his poetry needs.

Fortunately, the reader does not need to know any of the above to experience these poems in depth. And I mean experience, not just understanding. The joy of great poetry goes far beyond the rational mind and affects emotions, minds and souls. They do this very skillfully using crafts.

“Because I believe I need to speak poetry, I work on poetry to make it sound, that is, how the words sound important,” Rubin writes.

I could no longer agree that the best poetry unfolds a lot of sonic joy. Look at the rhyme “a” in the first line, the “black shadow of the leaves”, or the “i” in “a bird sings”. Then there are plenty of alliterations such as “snow covered”, “morning moon”, “tensioned tension”, and gorgeous “softness of sibilants”.

Traditional rhyme enthusiasts are not only great sound effects, but also thrilled by the great compression of “lightning bolts at night”, turning the noun “lightning bolts” into verbs. Both the sound of the line and the substance awaken me. And in the middle of a sequence of six “stanzas”, what a perfect time!

Haiku usually focuses on the natural world, and Rubin’s hybrids are no exception. In addition to the fact that the stanzas are very short, the first thing readers are likely to notice is that they are in the world of natural senses. Rubin’s carefully selected sights and sounds are almost quiet until the eruption of lightning and thunder. But even that relative violence feels softened in context.

The power of this poem is cumulative and more than the sum of its parts. What makes reading poetry so rewarding is the overall effect that goes beyond a small collection of imaginary moments. I like the accumulation of the climax in the middle in the “thunder”. The rest of the poem relieves that tension and gently moves us to its beautiful last verse. “Softly shifting sibilants” is an emotional solution for me. Not only do I hear the “silence of the waterfall”, the paradoxical juxtaposition, great, but my body and mind resonate with the loud sighs of the sssssibilants that make a swoosh.

By the time I reached the last line, poetry became the single entity that lived in me. After reading, I was able to handle the “10,000 things” that dispute my attention.

I wasn’t a big fan of ultra-short poems, but the use of Rubin’s mature form, his “sounding music,” quietly changes my mind. He explained that he has been writing poetry for over 60 years, writing hundreds of three lines of poetry and publishing some in haiku magazines.

It’s not easy, but I think the short format is a very accessible format that we all can try. If so, please share some of the results with me.

Send me your original poem beatlefan903@gmail.com..

Emergent Poetry | Sonora Sibilants • Yellow Springs News

Source link Emergent Poetry | Sonora Sibilants • Yellow Springs News

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